Artist Profile: Michael E. Bennett, 2Spirit Tattoo
When I released "Black Tattoo Art" in 2009, there were very few tattoo artists in the US specializing in dotwork and blackwork (not to be confused with black & gray tattooing). Strong, bold, all-black works and refined compositions created by stippling have been hugely popular in Europe for a while, but only recently have flourished stateside.
In California, 2Spirit Tattoo, is renowned for beautiful blackwork. Last year we profiled Roxx, studio owner and badass. But 2Spirit has an incredibly talented crew, and today, I want to spotlight another artist from the shop: Michael E. Bennett.
I particularly wanted to talk to Michael when I learned that he'll be doing a guest spot on the East Coast next month at NY Adorned from October 30th to November 3rd. I shot him a few questions, and he graciously replied. Here's our quickie Q&A:
Which dotwork artists have inspired you and how you do approach this style of work to make it your own?
The list of inpirations for my tattooing is endless, but off the top of my head, recently I've been influenced by the work of Gerhard Wiesbeck, Matt Black, and Kenji Alucky as well as Jondix, Hooper, and of course Xed le Head. Aything with power in it, though, it doesnt really matter what style. I suppose my approach is more based in 'traditional' tattooing. The Coleman kinda heavy lines and shading, that was the way I was taught to apply them.
Do you see a growing demand for this style in the US?
It seems so! I think that's exciting. I feel there's alot of energy in these types of tattoos. The actual act of recieving a tattoo definetly has its own power, demanding a calm composure of yourself while being put through pain is no easy feat, but I think when people see tattoos done in Blackwork/dotwork it effects them. It's just so ANCIENT. It's an art purely for application on the human body.
Is there a certain type of clientele that's attracted to this type of work?
Hmm. That's hard to say. It varies, certainly. More and more people are starting to see the beauty of it. Younger people are always the prominent collectors in tattooing, but this seems to attract all types of folks, which I love.
What types of tattoo projects are you most attracted to?
I like the spiritual aspect of tattooing, not necessarily religious, but something that speaks of a deeper meaning. That's the beauty of this kind of work, it seems so powerful even when there's no real subject matter apparent. It makes you think about form and structure, how things are put together.
Check Michael's work on his blog and the 2Spirit site. You can reach him at childthepeacemaker [at] yahoo.com.