My New Dotwork Leg Tattoo
Last night, I was reminded just how much tattoos hurt. It hurt in a way that I wanted to travel back in time and slap my 20-year-old self who would proclaim, "Oh, it's just like scratching a sunburn" because, back then, I had never sat for hours while needles drilled into my bony shin [or 5 hours of line work on the ribs like last year.]
Over the past 4+ years, since I've moved back to my native Brooklyn, I've only been getting tattooed once or twice a year, when my artist, Daniel DiMattia of Calypso Tattoo travels to NYC or when I make a trip back to Liege, Belgium -- home to Calypso Tattoo and where I lived for almost 8 years.
As I work on a unified body suit, a year can feel even longer because I'm excited to see my body continue to transform and to become the person I envision myself to be. At times, when working piece-by-piece on the design, it can feel like I'm in a state of flux. That "I'm not done." But the pace is important for a number of reasons.
In an age of instant gratification, there's something special about having to wait for what you want. It offers a greater sense of gravity and even ritual to the tattoo process. On a practical level, it also allows for more time to research patterns and gather ideas on how to bring all these motifs on my body together. Dan is really a master at creating that harmony and flow and taking a holistic approach to how the tattoos look on the body overall.
And then there's the fact that I have enough time to forget the pain.
The new tattoo on my calf and shin, is comprised of all dots. No lines this time. When it heals, I'll post better pictures so you can really see how Dan worked the density of the dots to create some beautiful light effects. Using a rotary machine, which doesn't have the harsh buzz of the coil, Dan worked tirelessly for over four hours to make every point perfect. And as always, I'm thrilled -- although my happy dance will have to wait until the swelling goes down.