Results tagged “Amanda Wachob”
One of the most innovating tattoo artists today, Amanda Wachob, is collaborating with neuroscientist Maxwell Bertolero in an exciting exhibit entitled "Skin Data" at the New Museum, which brings together tattoo, fine art and performance. The museum's website explains more:
Although technology plays a significant role in the making of a tattoo, it is often hidden or overlooked. Skin Data ventures into this invisible realm in order to give expression to tattoo technology's attendant processes and information. For this project, tattoo artist Amanda Wachob worked with neuroscientist Maxwell Bertolero to collect and analyze data produced by Wachob's tattoo equipment while she performs a tattoo. The two collaborators were specifically interested in gathering information related to voltage and time, which they then translated into visual representations. The design's color, which is based on a spectral scale, is determined by the tattoo machine's voltage and plotted by 1:1 mapping, while the duration of the machine's pulse determines the length of the color band. The final data-which forms the basis of Wachob's tattoos-are presented the same way as they would be in a scientific journal.You can see a video of "Skin Data" here.
For those 12 tattoo sessions, which will take place at the New Museum Store from December 20 to January 17, Amanda created twenty-three unique designs, as shown above in this post, for individual participants. The sessions -- which cost $500 for the general public and $400 for New Museum Members -- are available on a first-come, first-served basis, and participants will receive an original 8x10 canvas by Amanda, featuring their unique design "painted" by a tattoo machine.
To reserve your tattoo session, e-mail firstname.lastname@example.org. As you'll see from the New Museum exhibit site, sessions are booking up fast.
For more on Amanda's tattoo work, shown below, check her website and Instagram.
In March, we wrote about the Personal Ink Project or P.INK, which is an incredible resource that offers tattoo inspiration, ideas and info for breast cancer survivors. It also is a place where these women can research and perhaps even connect with skilled artists who can transform mastectomy scars into beautiful works of art.I've had the pleasure of working with the P.INK team, in a small way, on this event. P.INK is a "nights-and-weekends passion project" of a handful of employees at the Boulder-based ad agency CP+B who had been affected by cancer. Their goal is to see this project expand, including more P.INK Days should this first event be a success.
On October 21, 2013, that connection will be made when 10 tattoo artists will tattoo scar-coverage or nipple-replacement tattoos on 10 breast cancer survivors at Saved Tattoo in Brooklyn, NY.
You can help make this event happen by being a part of the crowd-funded project for as little as $10. There are also tons of perks for those who can give more. For $50, there's digital swag and temp tattoos. For $500, you get an art print of one of the tattoos you helpedg fund.
And the art is guaranteed to be stellar considering the line-up:
If you can't contribute, spread the word by sharing this page and using #PinkTattooDay. You can follow P.INK on Twitter and on Facebook.
Learn more about the project from the video below.
Tattoo above by Amanda Wachob.
My morning has gotten off to a great start thanks to BBC Radio 4's "A Mortal Work of Art" -- a wonderfully produced program that explores the intersection of the tattoo and fine art worlds. With the program 28 minutes long, I figured I'd just let in play on my laptop while I busied myself with other tasks; however, the really insightful discussion on the artistry of tattooing stopped me from doing anything else, so I just sat down and learned something.
What makes the program so compelling is that Mary Anne Hobbs, who hosted the piece, talks to the very people who have changed tattooing in the fine art context and who have shared very different ways of viewing tattoo art:
The legendary Spider Webb brought tattooing into galleries, museums, and even Christie's auction house, particularly for his conceptual tattoo projects, which he still continues to innovate today. He also talks to the BBC about fighting NYC's tattoo ban (which wasn't overturned until 1997).
London's Alex Binnie, owner of the famed Into You Tattoo, shares his thoughts on tattooing's impact on pop culture -- an impact greater than any the fine art world has had. The program ends on a strong note with his assertions on why tattooing doesn't need validation from anyone other than those wearing it.
Amanda Wachob discusses what motivated her to experiment with nontraditional tattoo imagery, to offer something different to clients beyond the standard menu, which has made her one of the most sought-after tattooers in New York.
Of course, our good friend Dr. Matt Lodder, art historian, is brilliant when he discusses what tattooing can gain by being accepted as an art form; that is, real critique of what is good, bad, derivative, ethical, new ... rather than looking at tattoos as one homogenous thing. He's currently writing a book on tattooing in the UK from an art historian perspective, which will be an important contribution to our community.
Also in the BBC program are Shelley Jackson, renowned for her "Skin" project, where a story she has written is conveyed through words tattooed on people around the world; artist Sandra Ann Vita Minchin discusses how mortality & legacy inform her own use of tattooing in her performance art -- and how she plans to grow skin through her DNA and tattoo it as an extension of her body project; and Sion Smith, editor of Skin Deep, and Trent Aitken-Smith, editor of Tattoo Master, weigh in on tattoo culture today.
Again, this is a fantastic listen and worth the time. Check it here.
The wonderful Amanda Wachob is no stranger to this blog as she continues to expand tattooing's vocabulary, beyond representational art, with her experimental work. Largely known for her brushstroke effects, Amanda takes a painterly approach to the art form but still keeps the strength of a traditional tattoo.
Amanda talks about this approach on Boston's NPR news station, Here & Now, with a segment entitled "Turning Tattoos Into Fine Art." Along with photographer Paul Nathan, who is the author of "Generation Ink," she also answers some of the standard questions like, Does it hurt? or What will happen if you no longer like it? And she does so in a way that best represents our community. You can stream the show or download it to your media player for offline listening.
A few weeks ago, Amanda was also featured on Huffington Post with a short profile and slideshow of her tattoo and fine art.
Amanda works out of a private studio in Brooklyn. Find out more about her on AmandaWachob.com.
This morning, the NY Times Magazine online profiled the work of the wonderful Amanda Wachob, fine artist and tattooer at Daredevil Tattoo.
Amanda briefly discusses how she began playing with abstract expressionism influences in her tattooing:
I was looking at a lot of Hans Hofmann, thinking about the squares and rectangular shapes in his paintings. I wondered if these shapes were dictated by his rectangular canvas? And if he were going to make an abstract painting that wasn't on a rectangle, but perhaps on an organic form like an arm, what would the shapes look like? That's when I had the idea to try it with a tattoo.In blurring the lines between fine art and body art, Amanda continuously pushes the boundaries of what a tattoo can be. For further info on her process, you may also want to read an old Q&A with Amanda we posted back in October 2009 in which she talks about her more experimental work.
Check her online portfolio for more.
Ok, this isn't my usual monolithic tattoo news review as I've been on the convention circuit for the past two weeks, but I wanted to share some things I found when I opened my eyes and Inbox this morn.
First, before I even reached for my first cup, The NY Times greeted me with the image above (by Ashley Gilbertson) of the coffee knux tattoo in its article on the best cafes in NYC. And it reminded me of an old fave on KnuckleTattoos.com of such career killers wrapped around a cup of coffee. And then it made me long once more to tattoo my hands. And then I remembered that one day I may need to be employable once more. And then I also remembered that the Times article had nothing to do with tattoos, so I drank some coffee and moved on.
Then, my Inbox dinged with a real tattoo story: Daily Candy's front page profile today on the fabulous Amanda Wachob. And while the word "tats" and phrase "upgrade your tramp stamp" made coffee shoot out my nostrils in frustration, it is nice to see a great artist get some sweet props from the masses. We featured Amanda here last October and noted her experimental tattoo projects that got us hyped (sans caffeine). Here's a sample of Amanda's work below.
And finally, just before I was about to click publish on this post, I got a Facebook reminder that, tomorrow, Amelia Klem Osterud will discuss her book The Tattooed Lady: A History at Word bookstore in Brooklyn from 7:30-9PM. We featured the book here in November and I've devoured my copy since. As an added bonus, tattoo artists Bad News Becca and Emma of Porcupine Tattoo will be discussing their work.
So, that's the run down of tattoo goodness I found all before noon. A good omen for the day. [The mega-round up will be up soon. I hope.]
Tonight, at Tattoo Culture in Williamsburg, Brooklyn is the Fourth Annual Group Show featuring the fine art of tattooists. One of the artists is Amanda Wachob of Daredevil Tattoo. Her paintings have been shown across the US and in Canada to great acclaim, but I wanted to particularly talk to Amanda about her experimental tattoo work and how she's pushing the boundaries of what makes a tattoo fine art in itself. Here's how the conversation went...
I wanna get the dirt on the experimental tattoo projects you're working on now. Tell me about them.
I have so many ideas I can't sleep at night!
Ten people in symbiosis with their own painting. The design starts on the participant's body and travels onto the canvas behind them. I am not charging for the tattoo work, I am asking that people make a donation to the Henry Street Settlement. Henry Street is a non-profit organization that has been active in providing healthcare, housing, senior services, etc. for the Lower East Side community in Manhattan for over 100 years. They also recognize the importance of art and have many wonderful art-based programs and workshops....this is area where I am hoping to direct the money. When the project is completed, I'd like to have an exhibition showcasing all of the work.
What inspired it?
I'm trying to push an abstract tattoo to the next level. It's a big experiment and hopefully it will be visually successful! If not, at least a really great organization has been given some funds to help the community.
You bring fine art concepts to your tattoos but do you consider tattooing as a fine art itself?
I see it as a tool. In the same way that a paintbrush can be used to paint the exterior of a house, it can also be used to apply paint to a canvas. It depends on how you are using it, and who is doing the tattooing.
Let's talk about your conceptual art tattoos. Describe your bloodline tattoos, the process, the designs, the type of people who get them and why. Is there something symbolic or magic to them?
I am fascinated by symbols and ideograms, simple graphic images that contain multifarious meaning. The bloodlines are only magic in the sense that the idea is based on that of a sigil. A "seal," or sigil, is a visual thought form charged with a particular magical intent and magicians often employed these abstract glyphs in spells. Austin Osman Spare has been a big inspiration. He was an artist and a visionary who created the magical technique of sigilization, focusing your will on an symbol to manifest a change in the material world. Most of the people that have gotten the bloodlines are people close to me, people who fit with the symbol.
When is a tattoo not just a tattoo, that is, when is it more than art for art's sake?
Hahaha, sometimes I wonder why a tattoo can't just be a tattoo for Pete's sake! I don't think people have a problem explaining why they are getting tattooed and what their design means to them. If anything, people over-explain almost as if they have to justify the reason why they are altering their appearance. Why not get something just because you think it's beautiful, why not get tattooed just because you like the commitment of a permanent change?! To get something in and of itself, there is no pretension in this and no extraneous meaning.
You're abstract tattoos have gotten much attention recently. They are not just beautiful but also harmonize so well with the shape of the body. What's interesting is that not all are outlined like traditional tattoos. Some may argue that the old tenets of tattooing, like strong outlines, are the key to a work's longevity. How do you respond to that in the context of your tattoo work?
I think you said it best Marisa ~ old tenets.
You also do a lot of strong traditional tattooing. How do you approach each style?
Traditional in the sense that I also do a lot of work with a black line, but I have never really tattooed a lot of traditional American imagery. I love traditional tattoos: skulls, daggers, pinups, roses, they are classic images that have a rich history in American culture. But I also like to think beyond the repetition of those designs. And for each tattoo I try to accommodate the desires of my customer...I don't always put "my spin" on it....after all, the tattoo is not about me.
In the eleven years you've been tattooing, what have been the most important lessons you've learned, whether they be about the art or human nature?
Listen to the people you respect, watch the people who are skilled, and wear a thick skin.
Working at Daredevil, a very busy studio, you must get some strange tattoo requests. What has been the most memorable tattoo that you've done there?
A cupcake on a crotch with a cherry on top.
Have you ever tattooed one of your paintings on a client? Would you want to?
Sure, if the painting speaks to them I would gladly tattoo it. I have tattooed images from my paintings before, but skin is more limiting than canvas, you can only go so far with detail and color.
Let's talk more about your painting. What's the process like for you -- is it cathartic, heavy, serene or intense?
Sometimes it's tedious. I like immediate results, and the kind of oil painting that I do...layering and glazing, requires diligence. It's good practice for leveling out my impatient nature though. In the end painting is an emotional release for me.
I see themes of sexuality, gender and race. Do such themes inspire the work? Do you look to make a social statement in your art?
Yes, those themes occasionally inspire the work. I think it's important to address some of those issues because they veil our true nature -- we are all a small slice of a larger whole, at the core we are all coequal. We forget this and judge one another based on gender and race. Sometimes I like to be subversive, other times I just like to make something pretty.
I'm looking forward to seeing your work in the Tattoo Culture Art show. Do you have any other exhibits coming up?
I have a solo show at the Castellani Art Museum next year and have been focusing on making work for this.
For the last two questions, I'm gonna get intimate. First, what is your personal philosophy?
Cultivate a boundless heart!!!
Ok, now finish this sentence: A happy life for me is ...
100 mph on the highway, the final layer of varnish, and belly laughing over a big plate of bacon.
You can find Amanda at Daredevil Tattoo in Manhattan's Lower East Side four days a week by appointment: Wed., Thurs., Sat. and Sunday. She's always on the prowl for people who want to participate in her various tattoo projects. Her next one is called the Love Club, which will be in February for Valentine's Day. We'll have details on that soon.
Amanda and I will be at Tattoo Culture tonight between 7 and 10pm. Hope to see ya there!
Abstract Tattoo by Amanda Wachob of DareDevil Tattoo.
I got some private messages last week admitting a forbidden love for the truly WTF tattoo galleries linked to in the news review, so before I get to the real newsworthy items, I'll satisfy more guilty pleasures with this first one:
It's a fun photo essay that includes Joe Letz's flying penis tattoo on his leg, the Hawaiian shark teeth on Brent Hind's face, and Jeffree Star's JonBenet Ramsey & Sharon Tate portraits.
To cleanse that frightening bunch outta ya mind, check out the exciting tattoo artistry of Amanda Wachob of DareDevil Tattoo, who experiments with abstract forms and conceptual design but can also do a solid, clean traditional tattoo. I met Amanda at our launch party Friday and she told me about an abstract tattoo project she's working on -- also mentioned on DevilCity Press -- where 8-10 people will be chosen to get a large tattoo, free. More details on that coming up later this week.
Amanda's conceptual art got me thinking of the lines and dots found on the oldest recorded tattooed person: Otzi the Iceman; however, a recent news item discusses how his tattoos have proved to be medicinal, not aesthetic. The article explains:
"There are groups of one, two, three, four and seven tattoo lines parallel to the longitudinal axis of the body, and so they're parallel to Chinese acupuncture meridians." The cross-shaped tattoo on his knee, and another one on his left ankle, also lay over Chinese acupuncture "trigger points," the researchers believe. Strengthening their argument is the fact that the soot-made markings are located on parts of the iceman's body not typical for tattoo displays, diminishing the notion that they served a more ornamental, aesthetic function.See a video on how the first tattoos were created.
Despite the millennia of tattoo history, many still think it's an unsavory fad. Here's yet another weekly news item on tattoo discrimination -- this time, an Ohio town does not think tattoos are a "fit."
But this prejudice is not so surprising after also reading weekly stories of idiots who use the art as a gimmick like this guy who got a tattoo to win a PalmPre phone. Of course, with the cost of the tattoo (and subsequent lasering I'm sure), he coulda just bought the PalmPre and been spared our mockery. Mock, mock, mock.
Some may also mock this dude above who proposed marriage -- permanently -- but today I'm feelin the love and just grateful that Caroline said "Yes." Now, let's hope the marriage lasts.
Cleveland.com has a new feature called Tat Chat where they "celebrate body art" and "find folks with interesting tattoos and the often even more interesting stories behind them."
My favorite blog find this past week, however, was Coolhunting.com post on Carlos Alvarez Montero, and his photographs of the counterculure in NYC and Mexico City -- particularly the heavily tattooed.
Quick & Dirty Link time...