Results tagged “Bob Roberts”
Artwork by Horiyoshi III.
Artwork by Thomas Hooper.
Apparel artwork by Titine Leu.
This Friday and Saturday, November 13 & 14th, more than 1,000 artworks by international tattoo artists will be sold at The Peter Mui Collection of Original Tattoo Art Auction. This is arguably the largest collection of tattoo art to ever go up for bid, created by some of the world's most renowned artists, such as Horiyoshi III, Filip and Titine Leu, Horitomo, Bob Roberts, Thomas Hooper, Robert Hernandez, Guy Aitchison, Michelle Wortman, Leo Zulueta, Roger Ingerton, Kim Saigh, Stephanie Tamez, Jondix and much, much, much more.
The auction will take place in NYC at 22 Little West 12th Street, and bids can also be made via email, phone/fax, and online. Bid online via Liveauctioneers, and also via Invaluable.
On Liveauctioneers, here's a list of items for bid on November 13th, and items for bid on November 14th.
Peter Mui was a musician, actor, and designer, who founded the tattoo clothing brands Yellowman, Misplaced Cowboy, Samurai Surfer, and Mui Mui. It is because so much of the artwork from tattooers was sought for apparel that the majority of the items for auction are torso-sized original paintings -- some crafted on templates for sleeves, and others as tank tops, as shown here; however, there are also original flash sheets and paintings on canvas, board, and paper, among other mediums.
Mui died in 2009, leaving this massive collection to his family, who chose Guernsey's auction house for this sale. In this CBS TV piece on the auction, Guernsey's President Arlan Ettinger states, when asked who potential buyers are, "You know, I get asked that a lot, who is going to be the big buyer in this auction or that auction. And the answer is, you never know. It's always a surprise," adding, "I'll bet you that 50 percent of the work will get sold to people who don't have tattoos, probably never had interest in it, but see the excitement, the beauty in some of these works." He also anticipates that some works will go in the tens of thousands, "30, 40, 50,000, we think."
Also in the CBS report, tattoo historian Dr. Anna Felicity Friedman is interviewed, although, on Facebook, she makes it clear that they did not consult her on the weak pop tattoo history lesson that is thrown into the piece. On social media, she also notes that it will be interesting to see what the sale prices end up being. If you look at the starting bids, some start as low as $200 while others start at $6,000. Dr. Matt Lodder commented that, from a tattoo art collector's perspective, some pieces appear to be highly undervalued while others significantly overvalued. He noted that some original flash sheets have minimums that go for not much more than prints sold at conventions or online.
Personally, I think there are a number of factors in the valuation of the pieces -- including how much artwork is already in the market by a particular artist, and let's not forget an artist's "platform" and notoriety, which can be derived from those reality TV appearances, can also play into the bidding.
There are some concerns I have with the auction: first, Dr. Lodder pointed out that, on Twitter, Valerie Vargas, stated that none of the works listed as hers were created by her. How many other artists are incorrectly listed -- and is it by mistake or fraud? Also, I question the fairness to the artists.
Over ten years ago, Peter Mui contacted blackwork tattooer Daniel DiMattia (whom I was married to at that time), sent him these clothing templates to design, and offered a one-time flat fee for them. I thought the fee was significantly low for the market, and Dan did not participate. I wonder what deals the other artists were offered. I don't think it was in the "30, 40, 50,000" range.
That said, it is an impressive collection, and assuming that most are works created by those they are attributed to, it can be a great way to get your hands on originals by one of your favorite tattoo artists. I'll be seeing how the auction plays out online this Friday and Saturday.
Apparel artwork by Bob Roberts.
Apparel artwork by Filip Leu.
Artwork by Jondix.
I had a wonderful time yesterday at Fordham Law School for the Fashion Law Institute's discussion entitled Art Attacks: Perspectives on the Use of Fashion Logos, where I chatted on their panel along with Ralph Lauren's in-house counsel Anna Dalla Val; brand consultant and former in-house counsel of Louis Vuitton, Michael Pantalony; and David De Buck, owner of the De Buck Gallery, whose roster includes prominent street artists. The panel -- and the Fashion Law Institute as a whole -- is the brainchild of Susan Scafidi, whom I've had a law nerd crush on for a long time after discovering her fantastic blog, Counterfeit Chic, many years ago. She's a pioneer in fashion law, which -- like tattoo law -- is constantly developing and is pretty exciting.
The focus of the discussion was fashion logos and their appropriation in art as well as commerce. Naturally, I gave the tattoo perspective. As requested in our Facebook group, I'll give y'all a taste of my talk.
But before we get to it ... What is a Trademark or Servicemark?
Ok, with that in mind, I started my talk off with the very first tattoo to be issued a registration by the U.S. Patent and Trademark Office: Master piercer Elayne Angel's famous wings backpiece, tattooed by the infamous Bob Roberts in 1987 -- a tattoo that inspiring a myriad of copies throughout the world.
Those wings just didn't become easily identifiable with Elayne, but her piercing services and Rings of Desire studio in New Orleans (which closed post-Katrina). It was Elayne's brand.
In 2003, when I wrote "The Tattoo Copyright Controversy," I interviewed Elayne about her servicemarked tattoo, which had been registered the year before. She explained that a customer, who was a lawyer, told her that he felt her wings were recognizable enough -- in relation to her as a professional piercer -- that protection was warranted. The process took six years but, on November 5, 2002, her backpiece was registered. It was not just the first tattoo registered, but it is believed to be the first feature of the human body to be registered. Cool!
But then I turned my discussion to people who get the brands of others on their bodies. People like the Gucci face guy or the Louis Vuitton sleeve dude below.
I tried to get in touch with these logo lovers, but to no avail, so I put out a call on the Facebook group page asking people to tell me about their logo tattoos. I'm grateful for all the responses. Many of y'all have band tattoos and great stories behind them, but as the focus was fashion for the panel, I was particularly interested in the story of talented tattooist Ania Jalosinska, of Kolektiv Tattoo in Warsaw, Poland.
Ania wears the United Nude logo and shoe design, which you can see here. The work was designed and tattooed by JEF. Here's what she said about it:
It says nothing more then a total loyalty, love and appreciation of a brand. Their shoe design is brilliant, both from an aesthetics standpoint and engineering standpoint. Getting a logo wasn't an initial idea; I wanted a leg on a side of my leg, but since I love UN shoes and wear them all the time, it was a no brainer what shoe the leg will wear. Their logo is just one of the graphic elements, which I also put in there because, as a tattoo artist and a graphic designer, I do appreciate design of it as well.I also think the Coco Chanel quote, "Elegance is refusal," is a nice touch to the tattoo.
Naturally, I also had to talk about how some brands are banking on tattoo cool in their marketing, like Marc Ecko's Branded for Life promo, where those who get Ecko logo tattoos also get "20% off For Life" on Ecko merch. When I first heard about the promo, I really couldn't imagine anyone would buy into it. I was really, really wrong. The Ecko tattoo fan gallery goes on for pages, filled with thumbnails of the tattoos like those shown below.
In the Ecko case, the brand courts the tattooed masses.
But what about luxury brands?
Do they want the great tattooed unwashed repping their fashion houses?
And if they don't, what can they do about?
Simply wearing the logo will not necessarily get you in trouble as there's little "likelihood of confusion," whereby, one could believe that the brand sponsored or is associated the wearer of the logo tattoo. Do we really look at the Gucci face guy and think he really is the new face of the brand?
Then there's the argument of "trademark dilution," in which the brand believes that the tattoos would "tarnish" their identity by presenting it in an inferior light or associated with "unseemly services." It's a fun legal argument, but practically, I don't think we have to worry about Louis Vuitton going after our skins.
I ended my presentation by acknowledging the power of logo tattoos and the desire to brand oneself with a brand that speaks to them, which can be beautiful. Of course, I couldn't help but note that we should also honor our very own identities, and like a couture gown, get a work of art that is specifically tailored to our own bodies.
Like everything else on this blog, it's not intended as legal advice. Just my personal blah blah.
I'm a big fan of blogs that chronicle the evolution of large scale work -- watching someone's transformation from what mama gave them to their own artful individuation (like Brian's Bodysuit to Fit). One that I'm following now with great interest is David Bragger's The Battle Royale Tattoo by Bob Roberts blog.
Bob Roberts and his Spotlight Tattoo are legendary. I know the word "legend" gets thrown around a lot but in this case it's incredibly apt to describe an artist who came up in the craft at The Pike in Long Beach from 1973, was taught by Bob Shaw and Col. Bill Todd, worked with Cliff Raven and Ed Hardy, and pushed tattooing to an even greater level of artistry. Spotlight remains a vigorous shop as well as a tattoo landmark.
David has been spending a lot of time this year at Spotlight. Bob finished up his leg work, which you can check on Flickr. It's a fantastic piece with some great art by Robert Ryan mixed in as well.
And with the leg done, it was time to move on to this back. In September, David began the blog with the sketches Bob had done for the backpiece. The posts then follow to stencil placement, lining, passing a kidney stone (!!), and the latest post shows the start of shading (and notes the soundtrack to that session). I'm loving the comments David adds along with the images. I highly recommend you give the blog a click.
Beyond being a tattoo connoisseur, David is also a player and instructor of old-time fiddle, banjo, mandolin and guitar. Watch some of his lessons on YouTube.
For more on Bob Roberts, you gotta pick up the definitive book on the artist: "Bob Roberts: In a World of Compromise...I Don't" published by State of Grace.
If you missed our post earlier this month on Shawn Porter's Occult Vibrations blog, then here's a reminder to bookmark and check it often for online videos (which Shawn largely transfers from old VHS tapes) of decades old footage that offers an intimate look into tattooing's modern history.
In this video excerpt from the 80s documentary "Tattooing Reality", Ed Hardy, Bob Roberts, Bill Salmon, Chuck Eldridge, and Leo Zulueta (who joins in towards the end), are hanging out at Realistic Tattoo and saying everything you want to listen in on -- from jokes about creating a "Safeway of tattooing" (a foreshadowing of studios in mega-shopping malls?), to serious discourse on being flexible in having a diverse portfolio of work, even if one is known for a certain style, as Ed has been for Japanese and Leo for Neo-Tribal tattooing. Another excerpt from "Tattooing Reality" can be found here.
Beyond the videos, Occult Vibrations posts artist profiles and other tattoo goodness. Check it.
For my LA homies, this Saturday July 31st, Known Gallery will present Bob Roberts & Bert Krak's Ladies Welcome show, which will run until August 21st.
What's particularly exciting about the show, in addition to the art on view of course, is the release of In A World of Compromise...I Don't by Bob Roberts -- the first book ever on the tattoo legend. [Read more on the book in our May post.]
Who really is Bob Roberts?
I'll have Takahiro 'Taki' Kitamura, publisher of the book (and renowned tattoo artist), tell ya:
The man, the myth, the legend: Bob Roberts. Few people have had the impact on tattooing that Bob Roberts has. His sheer artistic genius is sublime, and his biography reads the same way. For over thirty years he has been part of the vanguard of talented tattoo artists who, unbeknownst to them at the time, have pushed tattooing from a craft to an art form.
It's guaranteed to be an exciting book. If you can't make it to the show, you can pre-order it here for $320 (US). The books, signed and numbered, will be shipped in mid-August.
In 1973, Bob Roberts began his life in tattooing at The Pike in Long Beach, a waterfront amusement park that was home to many tattoo legends--legends like Bob Shaw and Col. Bill Todd who taught Bob the craft. It was an apprenticeship where one learned to be equally adept at removing a drunk from the shop as well as putting on a solid tattoo. Bob went on to work with Cliff Raven and Ed Hardy, who pushed tattooing to an even greater level of artistry.
With this education, he took off for NYC and opened his Spotlight Tattoo studio, and after three years, he returned to LA where Spotlight has established its place as a tattoo landmark, where top tattooing continues to be the mainstay.
In these past 37 years, Bob has garnered underground cred and mainstream popularity for his tattooing and paintings. In this time, he's also racked up a lot of stories. Yet these stories and artwork have never before been published in one volume.
To ensure this important part of tattoo history is not lost, State of Grace Publishing has created the very first book ever on the tattoo legend:
Bob Roberts: In a World of Compromise...I Don't.
The 304-page hardcover (10" by 13") will include never before seen tattoo and painting photos, an extensive interview with Bob Roberts with a foreword by Don Ed Hardy.
The first edition will only be a 1,000 copies, with a hardcover sleeve, signed and numbered. The pre-sale will be at the Ink-n-Iron show in Long Beach (June 11-13) and the All American Tattoo Fest in Sacramento (June 18-20). Then in late June, you'll be able to purchase the book on the State of Grace online store via PayPal for $300 US/$325 world. The book will ship out in August.
With a limited print-run for a book this rare (and rumored to be the best volume State of Grace has ever done), it's almost a certainty that the book will sell out in pre-sale so put it on your calendars. I'll also post a reminder next month. If you miss it, however, the softcover will be released next year.
Another must-have for your tattoo library.
In 1973, learning to tattoo at The Pike in Long Beach, CA was trial by fire. Also known as the "Coney Island of the West," tens of thousands were drawn there for the surf, sideshows, and shooting galleries -- and many came to get tattooed by greats like Bert Grimm, Bob Shaw, Zeke Owens, Col. Todd, among many others. The Pike in 1973 is where the legendary Bob Roberts also got his start, a start to a career that has not only impacted generations of tattooers but beyond to fashion, fine art and pop culture.
I mention this bit of history because, from this starting point and spanning nearly four decades, his experiences inform the collection of over 30 original paintings that Roberts will be exhibiting at his solo show Alive at Canvas Los Angeles.
The opening reception is this Thursday, August 20th, from 8pm to midnight. It will also serve as the official pre-party for the first annual Tattoo Hollywood convention, August 21-23rd at The Renaissance Hotel in the heart of Hollywood, CA.
While the opening is public, there is a large turnout expected, so organizers suggest sending an RSVP to firstname.lastname@example.org to be added to the guest list, as those on the list will be guaranteed entry.
For more on the life of Bob Roberts, check the history page on Spotlight Tattoo's site.