Results tagged “Skin & Bone”
I've been a long time fan of tattooer-Viking Colin Dale of Skin & Bone in Copenhagen, not just for his dotwork/blackwork creations -- many handpoked -- but also for his Jedi wisdom on tattoos and life in general.
Colin's tattoo work and words are wonderfully presented in Hampus Samuelsson's short film "Colin Dale Roots," which is embedded below. The film just made its debut at the Tattoo Arts Film Festival in Saskatoon, Canada -- Colin's hometown -- and has been spreading across social media.
The footage includes Colin freehand drawing a Nordic-inspired tattoo, his tattooing by hand and machine, and also an up-close look at his performing native Inuit skin sewing. But what I really love about this film is his musings on tattooing as a rite of passage and how, at a time where there is so much lack of permanence in our lives (whether it be marriages, jobs, or homes), tattooing is something that can't be taken away from us. There's also a great discussion on how his work developed over the 18-19 years he's been tattooing, and his interest in the roots of it all.
I highly recommend watching the film.
Find more of Colin's work on his site, Facebook and Instagram.
The other day, I received an interesting email from our friend and one of our favorite tattooers, Colin Dale of Skin & Bone tattoo studio in Copenhagen, Denmark. Colin particularly specializes in hand-poked dotwork, creating gorgeous pieces, large and small, with a particular bent towards Nordic art and mythology (although he works in a variety of genres).
In the message, Colin sent these photos, shot by his partner Nana, of him tattooing their friend Eric Frederikson with soot mixed with the ashes of Eric's deceased father to make the ink. As Colin said, "It doesn't get more tribal than that."
Considering my fascination with memorial tattoos using cremation ashes, I asked for more to the story, and Colin obliged. Here's what he wrote:
Leviticus talked about cutting and marking the body in reverence to the dead. The Hawaiians used to cut themselves with shells (scalp) and smear the funeral pyre ashes on themselves. And I know several people have done this in modern times before me...I seem to remember Bill Tinney (Photographer for Outlaw Biker, Tattoo Review, etc.) got a portrait of his mother (or grandmother) done by Brian Everett, I believe, with some ash mixed in the ink. However, I actually wanted to make ink out of the ash!For more on the tattoo, and to see other great photos by Nana, read Colin's blog here.
And for other N+S posts on tattooing with cremation ashes check these previous posts:
In the last 120 years, have you ever seen a tattoo machine tattooed by hand?
This Paul Roger's Mad Bee machine tribute is hand-poked by Colin Dale of Skin & Bone Tattoo in Copenhagen, Denmark.
Colin is no stranger to this blog. We've filmed him skin stitching at the Traditional Tattoo & World Culture Fest. We wrote about him tattooing a 103-year-old woman. And featured his own 3D Celtic Tattoo, a collaboration with Pat Fish & Cory Ferguson. Colin is not just one of our favorite artists, but a pal and confidant. We thank him for being a friend.
For more of the tattoo viking's work, check his online gallery.
Skin stitching by Colin Dale. Photo by Claire Artemyz.
There's been some buzz over the break-up between Skin & Ink magazine and its long-time editor Bob Baxter--who now has his own tattoo blog. Ignoring the gossip and focusing on the content, it seems Bob has rallied his old team of writers and photographers to contribute to his new site. Yesterday, he featured a profile of one of my favorite artists by one of my favorite writers:
Check out Lars Krutak's Colin Dale and the "Forbidden Tattoo."
The article discusses Colin's signature Neo-Nordic tattoo style and intricate dotwork, his hand-poked techniques and skin-stitching (as seen above), and his new studio Skin & Bone in Copenhagen, Denmark. [The article was written before the studio officially opened. Today it is thriving with art exhibits and guests artists as well as Colin's own stellar tattooing.]
The central focus of the article, however, is how Colin fulfilled the wish of Julia Machindano by giving her the facial tattoo worn by her Makonde ancestors called the dinembo. Lars offers more on the history behind these tattoos:
Traditionally, Makonde men and women received facial tattoos at puberty and before marriage. Often times these designs consisted of a series of stacked chevrons called lichumba or "deep angles." Incisions were made with a knife-like iron instrument called a chipopo and vegetable carbon from the castor bean plant was rubbed into the incisions, producing a dark blue color. When the extremely painful facial tattooing was executed, boys and girls were sometimes buried up to their necks in the earth so that they would not flinch as the tattooist cut open their living flesh. For the Makonde, facial tattoos were not only symbols of great courage; they were also the truest expressions of Makonde tribal identity itself.
Read more of this fascinating story here.
As a side note: Lars will soon be releasing his new book, Kalinga Tattoo, published by Edition Reuss--the publishers of my Black Tattoo Art book (in which Colin Dale's work is featured--it's all very incestuous).
Lars, Colin and I will be working at the London Tattoo Convention in September. Colin will be hand-tattooing. Lars will be presenting his book and exhibiting photos of the vanishing tattoos of this Filipino tribe. And I will be releasing my new Black & Grey Tattoo book with my co-author Edgar Hoill. And drinking cider.
But in a few weeks, July 10th and 11th, Brian and I will be meeting up with Colin for the Traditional Tattoo and World Festival, an intimate gathering of tattoo artists and collectors in Cork, Ireland. Join us for a fun tattoo vacation.