Results tagged “Tribulation Tattoo”
After our our Q&A with the fabulous Erin Chance last March, I heard a bunch of friends from around town voice how they were hoping that Erin -- who is based in Richmond, Virginia at Ghostprint Gallery -- would spend some extra time in NYC. Well, Tribulation Tattoo recently announced that Erin will be a guest artist at the studio from February 27 to March 4th, 2015. Friends rejoice! Erin is one of a number of artists who owner Tim Kern has lined up for winter. Check the guest list here.
To ask about an appointment with Erin, you can leave a message here.
Find more of her excellent work on her site, Facebook, & Instagram, as well as our Q&A.
Today is the birthday of my dear friend Tim Kern of Tribulation Tattoo (check their fancy new site). Many know Tim for his "creepy cute" creations, but really, Tim is one of the most versatile artists I know, creating exceptional works in vastly different genres.
He is also an incredible painter. He is wicked in karaoke. And his wife is super hot.
I could go on, but I'll let his bio speak further:
Tim Kern is a rotten carny bastard. A seventh-generation twin, he was born in a state of Misery... Half-cooked and with a lazy eye. Over the years, he has developed a passion for human oddities, prestidigitation, and serial killers. Tim has been a tattoo artist since 1995, and works at Tribulation Tattoo in NYC. If seen, do not approach, and shoot on sight.I'll also add to that a little known fact: Tim tattooed my most secret tattoo--a signature caricature piece on the back of my head, as shown disembodied below. [Photo by Til Krautkramer.]
Check more of Tim's work on Facebook and Instagram. There's also his free portfolio iPhone app powered by BodyMod.org.
His work will get in your head. [Yup, I said it.]
Claire Reid is a nomad. She travels across continents painting and tattooing eager collectors. Her style speaks of a quixotic existence, a jumbling of colors and shapes that betray stylistic definition. Her forms are fluid and organic. Personally, her look is bohemian, hippie, drum circle chic with the most elaborate body markings. She is her own chief.
I met her quite by accident or at least by the divine design of one who wants us to believe in accidents. Researching another article for this site, I was looking at pictures of full chest pieces. Twice, on different days, I came across Claire's work. It is unusual that I would notice a name or any text while staring at a beautiful piece of art. But I did. Then I looked further, reviewing her online portfolio, and found images of tattoos given around the world. I wanted a piece. More so, I wanted to be part of this motion around and forward. I wanted to be on that globe. I forgot the other article. I wrote to Claire.
This was the first time that I was searching for work simply for the sake of having the artist do it. If there are rites of passage in tattooing, this was one.
She wrote back. It was more than a month later. She was in New York, somewhat secretly, and would have time to work on a piece. The timing was terrible. I have no money. Nomads don't need to pay rent, but I do. Nevertheless, I found a way. I made the choice of spiritual and artistic creation over immediate, more corporal needs. So, I stepped deeply into the murk.
I meet Claire at Tribulation Tattoo in the East Village, NYC. The warlocks and gremlins that hang the upside down crucifix in its window (right across from a church, no less) mock her hippie style.
The tattoo we chose (and I say we because Claire was an active and helpful partner in the design and conception process) was of two tarot cards: The Magician and The Fool.
The Fool, always pictured walking off a cliff, is the risk-taker--his next step always across some great divide. Alone, he is nothing more than his namesake. But when paired with the powerful and potent Magician--the giver of spells, sorcery and sanctity--The Fool is transformed. His risks are rewarded, his dares desirable.
That is the point where I find myself. I am leaping and believe that there is a force to plant a field beneath my feet when I return to ground. We begin an 8-hour-plus session on my leg. She tattoos and listens. She understands The Fool.
After The Fool, she starts working on The Magician, but after these past eight hours, she must leave soon. We've gotten the face of The Magician down, transformed by her alchemy into a Rembrandt painting and The Fool card, altered so that he is walking out of the card, constantly in motion.
We start making plans for its completion and further expansion. When I see Claire next year, we will add a stained glass window on the back of the leg and then begin working below the knee. The design will go down to the feet--down to the apex of movement, down where The Fool--and this tattoo nomad--push the globe forward again.
Claire still has available appointments during her guest stay at Tribulation Tattoo until this Saturday, April 24th. You can contact the studio at 212-539-1953.