Results tagged “Vince Hemingson”

May201411
08:59 PM
the tattoo project .jpgDan Kozma The Tattoo Project.jpgCover photo of The Tattoo Project by Vince Hemingson. Portrait above by Dan Kozma.

Four years ago this month, 100 hundred heavily tattooed people and 11 of Vancouver's best photographers came together for The Tattoo Project:  Body. Art. Image:  a three-day event at the Vancouver Photo Workshops described as "a synthesis of portraiture and tattoo art that poses the eternal question, Who am I?"  The body of work born from the project explores tattooed bodies via diverse photographic philosophies. Vince Hemingson, creator of The Tattoo Project (as well as many other wonderful projects), has said that the images not only reflect who the subjects are but also the photographers, from their differing approaches to lighting, mood, and color to different methods for engaging the subjects. The subjects were quite diverse themselves and not just today's standard "tattoo model" fare. 

Vince explains his inspiration behind The Tattoo Project: body. art. image.:
This project was an idea that I had simmering on the back burner for nearly fifteen years.  I have always wanted to to see how fine art photographers would interpret individuals who were tattooed. When I first saw Albert Watson's seminal work from the Louisiana Prisons in his book CYCLOPS it was an idea that wouldn't go away.   In my writing and filmmaking, I have always thought that the purpose of training your pen or your camera on a subject was illumination.  Literally to shine a light on something. 

In fifteen years of researching the history and social significance of tattooing - in dozens of different cultures around the world - I was struck by the extraordinary power that tattoos can have to reveal a person's inner self.  Rarely is the choice of a tattoo or a tattoo symbol an accident.  People choose tattoos that resonate with their sense of perceived identity of a deep level.  I was quoted in an interview nearly ten years ago, saying that, "Beauty is skin deep, but a tattoo goes all the way to the bone". And by that I meant that a tattoo can have profound meaning, far beyond mere decoration for many people.  A tattoo reveals character.  I wanted my photographs to be portraits, but I also wanted them to be about illuminating identity.  I can focus my camera on an individual and capture some aspect of the external self.  But I think their tattoo illuminates an aspect of their internal self, often times far more than they realize.  The idea that you could capture parts of both the external self and the inner self fascinates me. 

I wanted to exhibit my images as transparencies on light-boxes because I wanted the tattoos I photographed to be illuminated from within.  If the body is a temple, then the tattoos are stain-glass windows. Tattoos tell stories.  I want my images to record those stories.
From that long weekend, almost 200 images were selected for The Tattoo Project exhibition in November 2010, curated by Pennylane Shen, and shown at Performance Works on Granville Island. More than 750 people attended the opening night. With such incredible success, naturally, the next step was a book.

The 240-page hardcover The Tattoo Project: body. art. image., published by Schiffer Books, takes the very best works from the project and highlights them in a large-format, beautifully designed coffee table book. This book isn't just about pretty tattoos -- although there are a number of exceptional ones. What makes it engaging is the storytelling of these portraits, the way the personalities of these tattooed people shine through. And also, as Vince mentioned, it's interesting to see how these stories are told in so many ways, whether it be through the black & white long exposure photos by Marc Koegel or the "housewife cheescake" images by Melanie Jane. The other photographers include Wayne A. Hoecherl , Dan Kozma , Spencer Kovats, Syx Langemann, Aura McKayRosamond Norbury, Johnathon Vaughn, Jeff Weddell as well as Vince.   

Spencer_Kovats_The_Tattoo_Project.jpgImages above by Spencer Kovats.

The next step for Tattoo Project: body. art. image. is a documentary film. Throughout the project, two film crews captured the process -- as Vince says, they "prowled the crowded hallways, eves-dropped on photographers  as they shot in the studios, and interviewed dozens of models and all of the photographers."  This summer, Vince and his team will be launching a Kickstarter.com crowd funding campaign to help finish the post-production on the film.

Check The Vanishing Tattoo blog for updates on the film (and the perks for contributing) and other tattoo goodness.
  
Syx_Langemann_The_Tattoo_Project.jpgPortrait above by Syx Langemann.
Nov201026
11:06 AM
Tattoo project photo by Dan Kozma 1.jpgPhoto by Dan Kozma

For our Vancouver homies, starting tonight through the weekend, The Tattoo Project takes over Performance Works Granville Island for an exhibition that showcases the work of 12 photographers who shot 100 tattoo collectors in just three days. They sequestered themselves in the Vancouver Photo Workshops studio space. Here are the results.

The exhibit is produced Vince Hemingson of VanishingTattoo.com. [Their videos on tattoo culture are some of my favorites.] Curator Pennylane Shen gathered Vancouver's most esteemed photographers for this show: Wayne A. Hoecherl, Melanie Jane, Marc Koegel, Spencer Kovats, Syx Langemann, Aura McKay, Pooya Nabei, Rosamond Norbury, Johnathon Vaughn, Jeff Weddell and Dan Kozma (whose work is shown above). Vince's own photography is part of the exhibit as well. The exhibit asks viewers to reflect on this:

The portrait camera and the tattoo--both profess, or pretend to reveal character. Richard Avedon said of portrait photography: "A portrait isn't a fact, only an opinion." It's true that the surface is all we've got. But what if that surface is adorned with images? Are tattoos symbols of a secret self? An attempt to bring the inside out? To reveal ourselves to the outside world? If tattoos are so meaningful, shouldn't that influence the portraitist's 'opinion'?

The fine art images that emerge from this experiment constitute a gallery exhibition unlike any other. It's here that artists, critics, and the public at large weigh in: Is the portrait a likeness--or is it a revelation?

See the video below for a behind the scenes peak:



The Tattoo Project will be the subject of an upcoming documentary film. More on that as it progresses. Admission to the exhibit is free, but a calendar from the project will be on sale, and the proceeds will go to DTES Vancouver's Ray-Cam Community Centre
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