Results tagged “Vincent Castiglia”
UPDATE: We've added a Q&A with Vincent on the show and new photos, below.
Tattooer and fine artist Vincent Castiglia -- known for his surreal works painted in his own blood -- has shown in galleries and museums around the world, including a solo show at the famed H.R. Giger Museum Gallery in Switzerland. From Thursday, October 4th through the 31st, his biggest show will be on view at Sacred Gallery in NYC, entitled "Resurrection."
The new retrospective art exhibition includes around 30 works spanning the last decade, from the beginning of his career to today, and seeks to "examine the congruency of life and death." For example, in "Stings of the Lash" (88" x 59", Blood, 2005) shown below Vincent says the work addresses "the unique nature of the human will," adding: "The figure stands between two neurons attempting to communicate; only the message is diffused in the space between them by this willful phenomenon. Behind him are three dimensions, which the figure penetrates, physically as well as allegorically, the terrestrial, the celestial, and beyond this the collective unconscious."
Here's a Q&A I did with Vincent on the show:
This is an impressively large show, starting from the beginning of your career to today. How has your work evolved over the past ten years -- will the viewers be able to see any progression from the earlier works to the new paintings you are showing?
It's my biggest exhibition to date in terms of the amount of works. And yes, there's a very apparent progression in technique from the beginning through present. I initially began working in this medium very painterly, and somewhat suggestive, I'd say with the first 2-3 paintings in this medium. And from there just fell in love, and aimed to take it as far it as it would go in terms of technicality and polish. I'm not sure if I'd consider even the first few paintings experimental, but more a natural evolution of possibility.
Is there a common theme that runs through all of them?
Yes, several I believe; the congruency of life and death, universal stations of the human condition (that most people don't care to face), polarity and the harmonizing of polarities, dissection, decay, rebirth, struggle and tragedy, perseverance and hope.
I'm sure you've answered tons of questions about working with your blood. But for those new to your work, perhaps you can describe the process of creating the paintings with your blood, and why it is an important medium for you.
Because my work is literally part of me. I'm being brutally honest with each painting, in many cases sharing harsh realities that I've struggled with, some even being an "exorcism" of sorts. There's a very literal transference of energy I feel in working this way. Some pray, I paint.
Anything else you'd like to add.
"Resurrection" is a unique opportunity to see this many originals of mine in one place, even for me. In addition, my first sculptural work (created this year) will be in the exhibit. I'm very happy to be showing this collection in my hometown of New York City, and at Sacred Gallery.
For more on "Resurrection," check Sacred's exhibit page.
Hope to see you at the opening reception on October 4th from 8PM - 11 PM. Sacred Gallery NYC is located at 424 Broadway (2nd Floor) between Canal and Howard in SoHo.
"Stings of The Lash", 88" x 59" (framed), 2006, blood on paper.
Tattoo by Vincent Castiglia.