Results tagged “black and gray tattoo”
Almost three years ago, we posted an artist spotlight on Russia-born tattooer George Bardadim at the time when he was doing his very first guest spot in the US at Tattoo Culture in Brooklyn. Today, George has made NYC his home, working as a guest artist at Tattoo Culture, along with residents Gene Coffey and Brian Wren, and also tattooing in Pennsylvania at Sink the Ink in Doylestown. A great reason to toast with some vodka!
What I particularly love about George's portfolio is the incredible versatility he has in rocking a hyper-realistic black & grey piece one day and then creating a vibrant and harmonious Japanese-inspired work the next. It's not easy to find an artist who truly excels in so many different tattoo genres.
I just saw on the Tattoo Culture Facebook page that George is now taking new consultations, so this post isn't just a tease for an artist whose work you can't get for another few years.
See more of George's tattoos on his site, Facebook, and Instagram.
We've been seeing a lot of "pop-up" tattoo studios from renowned artists around the world, in which art spaces are constructed to present the tattooers' work, often before the eyes of the art and design community. Almost like a guest spot, but with a spotlight.
LA-based tattooist Jun Cha recently worked a 14-day pop-up tattoo studio in Paris, and filmmaker Santiago Arbelaez captured that trip. That footage is beautifully put together in the video below. The video shows Jun working on a sleeve (shown above in the first image) that best demonstrates his style, which melds black & grey fine line with classical and Renaissance art. Jun talks about his influences in the video, and he also offers some background about how he came to tattooing at the young age of 16 and progressed from there into a sought-after tattooist. There are also wonderful Paris street and museum scenes as well. A great 4-minute break to add some beauty to your day.
Check more of Jun's work online:
Today is birthday (the 666th?) of the inimitable Paul Booth. For those new to the art, Paul has been tattooing his own brand of dark imagery, for almost 25 years, on faithful minions seeking beauty through demons, satanic sirens and an alien fetus or two.
He was crowned the "The new king of rock tattoos" by Rolling Stone Magazine in 2002 for his extensive work on metal bands including Slayer, Pantera, Slipknot, and Lamb of god. He's also the only tattoo artist to be accepted into the prestigious The National Arts Club. In fact, he has been a driving force behind fostering fine art endeavors among tattooists, particularly with the creation of "ArtFusion Experiment," which he co-founded with Filip and Titine Leu, to champion collaborative painting and drawing among tattoo artists worldwide.
Ten days ago, his Last Rites Tattoo Theater in NYC celebrated its 5-year anniversary with an art show featuring an exceptional roster of artists, including many tattooers. The show runs through May 18th. You can also view many of the works here.
In 2010, I interviewed Paul for Black & Grey Tattoo, in which his tattoo and fine art work are featured. Here's a taste of our Q&A:
You've been interviewed so many times by so many different people. Is there one overriding message that you really want to get across-about you personally-in any interview?
That's a big one to start with.
I'm sorry there's no foreplay here.
Foreplay is important... especially for women... or so I've read. [laughs]
Would you rather I begin with the usual, "How did you get your start in tattooing?"
Well, foreplay was involved there.
We can get back to that first question or hit it at the outset.
For me, it's always the misconceptions to address. I almost feel like a walking contradiction because there's a strong part of me that keeps a real I don't give a fuck attitude, I don't care what people think or say. But there's another side of me that gets frustrated with a human being's ability to believe without any validation. I'm amazed at the number of people in the world who follow rumor without any verification. They are perfectly fine with "Well, Joe Shmo told me that, so it's true."
What I have heard a lot of over the years is how negative my work is. People don't seem to understand that dark does not necessarily mean evil, baby eating, Satanism. [I always use "baby eating" because I keep hearing that one ever since I said it jokingly in an interview years ago!] And here's where the contradiction comes in: As I have gotten older, I'm trying to debunk misconceptions, but I kinda like having the misconceptions.
The general public tends to think that the people who come to me for work are a bunch of deviant, social misfits looking for shock value. But for my clients, underneath all the initial surface shock or negative tones, ultimately there's a positive. Not everyone is here looking for some kind of therapy. There are some like myself who just want to freak out the old ladies in the grocery store. [And when you're able to freak out old ladies in the grocery store, you realize how empowering it is... as silly as that analogy may sound!] But a lot of people leave here feeling empowered for many reasons and I don't know how that could be negative in the end.
I've also heard people say that Paul Booth clients are a bunch of dark, self-harmers. However, if you're making them more beautiful and feel good about themselves, that's not self-harm.
A lot of my clientele, I relate to them on levels that are surprisingly deep. It's because we come from backgrounds where there's a greater degree of feeling like outcasts I suspect.
When I was in high school I was a punk rocker, the only punk rocker in school in suburban New Jersey--only Mohawk in the whole place. I'm walking around with blue and red hair, angry (yeah, like that's changed) and my appearance became my filter. If you had the depth of character to get past my appearance and find out who I am, then you're worth my time. I have no time for two-dimensional people. Today, my work reflects that as well. I don't think my work is usually appreciated by two-dimensional people... and that's fine by me!
For more on Paul, follow him on Facebook, Twitter, and Instagram.
There's been a lot of buzz over the documentary "Tattoo Nation," and if you check this official trailer, you'll understand why.
The film, directed by Eric Schwartz, explores tattooing largely from the perspective of black & gray culture -- a tattoo genre that found its origins in prisons and growth into a fine art. Heavily tattooed film and TV star Danny Trejo narrates the film and shares his own stories of getting tattooed with guitar strings and homemade machines while behind bars. His professional tattoo work, done by some of black & gray's finest, is continued during shooting, with Mark Mahoney working on Trejo's backpiece while the actor discusses the evolution of the art form.
Mahoney is joined on screen by his fellow godfathers of black & gray: Charlie Cartwright, Jack Rudy, and Freddy Negrete. Other legendary artists sharing their stories are Ed Hardy, Kate Hellenbrand, Henk Schiffmacher, Filip Leu, Rick Walters, and Tennessee Dave. The younger generation of black & gray greats, including Chuey Quintanar, Mister Cartoon, Jose Lopez, Franco Vescovi, among others, are repped as well. It's a Who's Who of the tattoo world.
Beyond the history of prison and LA street style of tattooing, the film delves into tattoo acceptance and battling stereotypes. Indeed, it's an important film for lovers of all tattoo art and culture. We're counting down the days to its release in theaters nationwide this October.
For updates, follow Tattoo Nation on Facebook and Twitter.
This stunning biomechanical corset tattoo is by Sebastian Zmijewski on model and artist Milena Zmijewska. The image has been making its way around the Internet, and I'm thankful to all y'all who have sent me links to it on Tattooist Art's FB page. For those, who haven't seen it, I figured I'd share it here as well and also highlight other work by Seb.
His studio, Bloody Art in Gdansk, Poland has catered to those who want rich, beautifully structured large pieces as well as clients looking for small fairies and flowers. But it's his soft black & grey tattooing that seems to dominate his body of work and what is often most striking. Seb's cover-ups, like the one below, are pretty killer as well.
See more via his online portfolio.
While I sit here trying to find ways to battle the rogue army of Comment Spam-Bots that took Needles and Sins offline for a little while yesterday, I've just received this video from our good pal Bill Buschel, compiled from footage he shot at the release party for Marisa's "Black & Grey Tattoo Art" at Tattoo Culture. If you haven't had a chance yet to see the monstrous tome in person, this video will give you a little peak at the art within (and a glimpse of the work upon our party-goers).
I believe that Marisa still has a few copies of the book at a reduced rate (US customers only), so click on the email link in the top right column for more information; and if you're interested in getting a copy of "Lady On The Low" (which Bill used as the soundtrack for this video) for just $0.50, please click on my BandCamp page.