Results tagged “organic”

Nov201318
08:33 AM
Maika Tattoo.jpgmaika tattoo 2.jpgFor organic-meets-industrial-geometric tattoos, check out the portfolio of Maika Houde, of Tattoos by Maika, in Montreal, Canada.

This self-taught tattooist, who began painting when she was 9 years old thanks to her artist mother, picked up the tattoo machine in 2005, and has since developed a signature style that plays with various forms outside of traditional tattooing. She says of her influences: 

I am inspired a lot by abandoned industrial sites in decay, rusted pieces of machinery, destroyed cities landscapes, architectural landscapes and also of course geometry. And I am fascinated with contrast such as organic shapes versus extremely technical geometric pattern, shape or design.
 
My tattoo influences are artists such as Little Swastika, Gerhard Wiesbeck, Rob Hoskins, Cory Ferguson, Xed Lehead, Jondix, Vincent Hocquet.
I also asked Maika about her tattoo process:

As for my Organic/Industrial Geometry work, I usually work first on paper, of course, after having consulted once with the client. But, to make it fit nicely on the body, I usually draw parts of the design on the clients and build it on them in the first session. [...]

Some clients give me more details and are more specific on what they want, but in the end, I do what my creative mind tells me to do. So there are times where I don't include everything they ask for simply because, esthetically, technically, or for whatever other reason, it wouldn't fit nicely. Once I explain that to them, they are pretty ok with it, or we adjust depending on if there's something I previously took out and that they really wanted in there.

I also try to keep them away from cliches, or if I keep the cliched idea, I make sure I totally destroy it by making it something new and beautiful -- and other times a cliched [design] can be pretty beautiful -- maybe I should call these ideas "classics"; it is all really a feeling based on who's in front of me and how I feel in the moment, so it's a very "organic" way to work and it changes with each client and project.

When asked about her particular clientele, Maika explains:

A fascinating thing I have noticed is that a lot of my clientele are engineers, biologists, scientists of some sort, architects, doctors, mathematicians ... they come from the left side of the brain and I've found it an interesting mix: their left side of the brain encounters my right side of the brain! Ha! It feels like it's an opening, a welcome sign, for the left-sided brain people into the world of tattoo. There's a lot more "geeky" & "nerdy" tattoos in the world now, where before there wasn't! I think it's exciting!
Maika often does guest spots out of Edmonton, Toronto, Quebec City, and will be expanding her travel into Europe. She'll be working the Frankfurt Convention in 2014, among other shows.

You can find most of Maika's work on her Facebook page, Twitter, and Instagram [@Tattoobymaika]. 

maika tattoo 3.jpg
Oct201230
12:43 PM
Michele Wortman floral tattoo.jpg
Michele Wortman floral tattoo3.jpg
As we wade our way through the floods and debris left by Hurricane Sandy, I want to focus today on the beauty, rather than destructiveness, of nature. The first artist who naturally came to mind, particularly with her floral-form bodysets, is Michele Wortman of Hyperspace Studios in Illinois.

I had a wonderful time interviewing Michele and her husband -- renowned biomechanical artist Guy Aitchison -- for an upcoming issue of Inked magazine. In it, we talked about how their distinctive artist styles developed, some of the controversy behind their approaches, and how one can be a better artist through attitude adjustment.

Here's a taste of that interview where Michele describes her bodysets:  ethereal, organic tattoos with a unified look throughout in the large scale projects.

Michele, how did your style develop?
My style originated from being a collector and not necessarily resonating with the early work I collected. I started to assess it more and realized that I wanted something that was more unified, that had less weight to it, and that reflected more of how I was feeling rather than what the styles were available at the time.

Around when was that?

It was around 1995 when I first got a half sleeve. I know that's not very much coverage but, at the time, it seemed it because you didn't really see women with the coverage you see now, and it felt like a big step. Then I got a chest piece a year later. My work had a fair amount of black in it, and I wanted something that felt lighter and a little freer. So I started getting lasered, getting rid of all the black in my ink so that I could reconstruct it, and during that period of time, I became a tattoo artist.

Would you say your style is more feminine?

It's interesting you should say that because, originally, I had wanted a half sleeve of flowers and this girl looked at me, rolled her eyes and said, "You would get that. How typical of you." That bothered me, so I decided I would rebel against my "feminine nature" and get architecture, which is very masculine in my opinion, very man-made. The fact that I rebelled against my feminine nature in the beginning only to come back to it later was an interesting lesson for me-to be comfortable and enjoy things that might be associated with having feminine qualities and not try to fight it and be someone I'm not. That had a lot to do with the energy I was putting into my tattoo work and that became my defining style.
More of our interview will be in an Inked "Icon" feature. I'll do a follow-up post when the issue is out. To view more of Michele's work, check her Facebook page as well as the Hyperspace website.
 

Michele Wortman floral tattoo4.jpg
1
connect with us
advertisement
archives
advertisement






EDITOR IN CHIEF:
Marisa Kakoulas
CONTRIBUTORS:
Miguel Collins
Craig Dershowitz
Brian Grosz
Sean Risley
Patrick Sullivan
© 2009-2013 NEEDLES AND SINS. ALL RIGHTS RESERVED.
Needles and Sins powered by Moveable Type.

Site designed and programmed by Striplab.

NS logo designed by Viktor Koen.